Ryota’s work will be presented in #Essence, part of ART+TECH Festival, in Milan on 3oct
Matsumoto's artworks initially start out as several fragmentary variants that are derived from the elements of his previous works. They are then merged into the artwork through the application of a recursive algorithm and its embedded matrices of transition probabilities.
Consequently, the new work captures and appropriates some of the conceptual substructure of the previous works, while they can stand on their own as a self-referential multiplicity.
The concept of his work pertains to the actualization of the temporal dimensions of molecular entities that are eventually reconfigured as urban aggregates. In this respect, his work correlates with the whole perception of the molecular lines that are immanent in the meaning- making processes of living and nonliving alike, which eventually leads to the diachronic emergence of an ecological assemblage.
Rapid Gaze Polynomials Embedded in Infinite Variables
Recursive Topography of Uncertainity
Still from Cities of Inextricable Velocities
Those Who Affirm the Spontaneity of Every Event